Per Arnoldi is one of Denmark’s most celebrated modernist artists. Known for his unmistakable use of red, yellow, and blue — and an enduring love of Futura — his work spans posters, paintings, public art, and sculpture. Few artists have done more to shape Denmark’s graphic voice.
In response to Donald Trump’s border wall, Arnoldi created a sculpture to make a point of his own: where there’s a wall, there’s a way.
In response to Donald Trump’s border wall, Arnoldi created a sculpture to make a point of his own: where there’s a wall, there’s a way.
In response to Donald Trump’s border wall, Arnoldi created a sculpture to make a point of his own: where there’s a wall, there’s a way.
In response to Donald Trump’s border wall, Arnoldi created a sculpture to make a point of his own: where there’s a wall, there’s a way.
In response to Donald Trump’s border wall, Arnoldi created a sculpture to make a point of his own: where there’s a wall, there’s a way.
In response to Donald Trump’s border wall, Arnoldi created a sculpture to make a point of his own: where there’s a wall, there’s a way.
In response to Donald Trump’s border wall, Arnoldi created a sculpture to make a point of his own: where there’s a wall, there’s a way.
In response to Donald Trump’s border wall, Arnoldi created a sculpture to make a point of his own: where there’s a wall, there’s a way.
In response to Donald Trump’s border wall, Arnoldi created a sculpture to make a point of his own: where there’s a wall, there’s a way.
In response to Donald Trump’s border wall, Arnoldi created a sculpture to make a point of his own: where there’s a wall, there’s a way.
In response to Donald Trump’s border wall, Arnoldi created a sculpture to make a point of his own: where there’s a wall, there’s a way.
At first, Arnoldi wanted to show the sculpture alongside a few small paintings. The gallery said: “No.” He then asked if he should design the exhibition poster himself. We said: “No, we’ll do that.” The poster was as direct as the work it promoted: Per Arnoldi exhibits 1 sculpture.
At first, Arnoldi wanted to show the sculpture alongside a few small paintings. The gallery said: “No.” He then asked if he should design the exhibition poster himself. We said: “No, we’ll do that.” The poster was as direct as the work it promoted: Per Arnoldi exhibits 1 sculpture.
At first, Arnoldi wanted to show the sculpture alongside a few small paintings. The gallery said: “No.” He then asked if he should design the exhibition poster himself. We said: “No, we’ll do that.” The poster was as direct as the work it promoted: Per Arnoldi exhibits 1 sculpture.
At first, Arnoldi wanted to show the sculpture alongside a few small paintings. The gallery said: “No.” He then asked if he should design the exhibition poster himself. We said: “No, we’ll do that.” The poster was as direct as the work it promoted: Per Arnoldi exhibits 1 sculpture.
At first, Arnoldi wanted to show the sculpture alongside a few small paintings. The gallery said: “No.” He then asked if he should design the exhibition poster himself. We said: “No, we’ll do that.” The poster was as direct as the work it promoted: Per Arnoldi exhibits 1 sculpture.
At first, Arnoldi wanted to show the sculpture alongside a few small paintings. The gallery said: “No.” He then asked if he should design the exhibition poster himself. We said: “No, we’ll do that.” The poster was as direct as the work it promoted: Per Arnoldi exhibits 1 sculpture.
At first, Arnoldi wanted to show the sculpture alongside a few small paintings. The gallery said: “No.” He then asked if he should design the exhibition poster himself. We said: “No, we’ll do that.” The poster was as direct as the work it promoted: Per Arnoldi exhibits 1 sculpture.
At first, Arnoldi wanted to show the sculpture alongside a few small paintings. The gallery said: “No.” He then asked if he should design the exhibition poster himself. We said: “No, we’ll do that.” The poster was as direct as the work it promoted: Per Arnoldi exhibits 1 sculpture.
At first, Arnoldi wanted to show the sculpture alongside a few small paintings. The gallery said: “No.” He then asked if he should design the exhibition poster himself. We said: “No, we’ll do that.” The poster was as direct as the work it promoted: Per Arnoldi exhibits 1 sculpture.
At first, Arnoldi wanted to show the sculpture alongside a few small paintings. The gallery said: “No.” He then asked if he should design the exhibition poster himself. We said: “No, we’ll do that.” The poster was as direct as the work it promoted: Per Arnoldi exhibits 1 sculpture.
At first, Arnoldi wanted to show the sculpture alongside a few small paintings. The gallery said: “No.” He then asked if he should design the exhibition poster himself. We said: “No, we’ll do that.” The poster was as direct as the work it promoted: Per Arnoldi exhibits 1 sculpture.
On May 25, 2021, Per Arnoldi turned 80. To mark the occasion, we made a poster for our friend. His response came in two parts: “Yes, my boys!” Followed by: “No can do. It’s too much like B&O.”
On May 25, 2021, Per Arnoldi turned 80. To mark the occasion, we made a poster for our friend. His response came in two parts: “Yes, my boys!” Followed by: “No can do. It’s too much like B&O.”
On May 25, 2021, Per Arnoldi turned 80. To mark the occasion, we made a poster for our friend. His response came in two parts: “Yes, my boys!” Followed by: “No can do. It’s too much like B&O.”
On May 25, 2021, Per Arnoldi turned 80. To mark the occasion, we made a poster for our friend. His response came in two parts: “Yes, my boys!” Followed by: “No can do. It’s too much like B&O.”
On May 25, 2021, Per Arnoldi turned 80. To mark the occasion, we made a poster for our friend. His response came in two parts: “Yes, my boys!” Followed by: “No can do. It’s too much like B&O.”
On May 25, 2021, Per Arnoldi turned 80. To mark the occasion, we made a poster for our friend. His response came in two parts: “Yes, my boys!” Followed by: “No can do. It’s too much like B&O.”
On May 25, 2021, Per Arnoldi turned 80. To mark the occasion, we made a poster for our friend. His response came in two parts: “Yes, my boys!” Followed by: “No can do. It’s too much like B&O.”
On May 25, 2021, Per Arnoldi turned 80. To mark the occasion, we made a poster for our friend. His response came in two parts: “Yes, my boys!” Followed by: “No can do. It’s too much like B&O.”
On May 25, 2021, Per Arnoldi turned 80. To mark the occasion, we made a poster for our friend. His response came in two parts: “Yes, my boys!” Followed by: “No can do. It’s too much like B&O.”
On May 25, 2021, Per Arnoldi turned 80. To mark the occasion, we made a poster for our friend. His response came in two parts: “Yes, my boys!” Followed by: “No can do. It’s too much like B&O.”
On May 25, 2021, Per Arnoldi turned 80. To mark the occasion, we made a poster for our friend. His response came in two parts: “Yes, my boys!” Followed by: “No can do. It’s too much like B&O.”
